What a little gem this is, and thank you Natalie for bringing it to my attention! For a split-second you think you've fallen into an Abba retrospective, when the keyboards tumble into view, but before long, Paul McCartney's voice, that comfortable, friendly instrument we've all grow up with, kicks in and takes over. But what really, really makes this song fly is the incredible piano riff that runs through the chorus and lifts the final coda onto another plane. The Beatles, when his songs were at the forefront, were always pleasant, fairly easy-listening exercises in perfection. This, likewise, is a perfectly-formed pop diamond. The closing coda echoes Jeff Lynne and the Electric Light Orchestra, which is only fair really, because ELO was nothing if not a Beatles tribute band. But that piano just takes everything somewhere slightly different, that minor chord is just so unexpected, so ..... right, that nothing else matters. Sometimes, songs are made by a single note, a single chord, and this is one of them.